+39 333 9746014 lucazampini9@gmail.com

FINE ART PRINTS for INTERIOR DESIGN

LIMITED EDITIONS

The Fine Art prints for Interior Design add a touch of class to the environments. These are prints produced in an artisanal and non-industrial way, on fine paper made to last over time, to be admired or kept in the collection. Particularly suitable for interior design, they are sought after for decorating a living room, a study or a bedroom. They are an original gift idea for those who appreciate the value of a work made with the utmost care; in my case trees that become true interior design objects.

Two Fine Art framed prints by Luca Zampini with subject BW trees on a dark wall. Text: "Fin Art photographs in limited editions. Shop for fine art prints on valuable supports"

For the Fine Art prints I selected a certified laboratory in this kind of work and a type of fine Hahnemühle FineArt ® paper called German Etching 310 gsm, 100% α-cellulose, a museum quality designed to withstand over time.

to learn more about the paper I chose...

It has a unique surface structure that adds a very special touch to the images, showing them in all their glory with an impressive three-dimensional effect and depth. The premium inkjet matte coating ensures outstanding printing results.ng results. German Etching is acid and lignin-free and meets the most demanding requirements in terms ofaging resistance.
Questa carta pesante
FineArt Inkjet is one of the most popular papers for FineArt prints and art reproductions due to its characteristic tactile feel and surface texture. German Etching ® is a registered trademark, conforming to ISO 9706 / museum quality for maximum aging resistance. Currently the printer used is Epson SureColor P20000 with UltraChrome PRO inks and pigments.

All my limited-edition Fine Art prints are produced in Bologna by my trusted laboratory PROFESSIONE E COLORE, Stampa Fine art Giclée. Each print is numbered and signed by me and the buyers receive them together with a certificate of authenticity. Whether you want to furnish an environment, living room, study or bedroom, or you want to make an original gift to a person dear to you …

… choose yours in the gallery
HUGS – THE TREES CALLING

Two Fine Art framed prints by Luca Zampini with the subject of BW trees on a dark wall.
Two Fine Art prints on sofas, with and without frame, by Luca Zampini with BW trees subject

Fine Art printing from digital on Hahnemühle German Etching 310 gsm paper – 100% α-cellulose in limited series, numbered, signed and certified.

AVAILABLE FORMATS:

 

  • 45 x 60 CM = € 600 – Limited edition of 5 copies

    17.7 x 23.6 inches

  • 60 x 80 CM = € 800 – Limited edition of 5 copies

    23.6 x 31.5 inches

  • 100 x 133 CM = € 1.200 – Limited edition of 5 copies

    39.4 x 52.4 inches

NOTE:

  • 2 AP (Artist’s Proofs) not for sale are provided for each edition. The last copy of each series (5/5) costs € 200 more.

 

SHIPMENTS

FREE in EU countries. For shipments outside the EU additional cost will be provided after destination is notified.

Shipping usually takes 10-15 days.
The prints are shipped in a hard tube resistant to dents, a safe method for works of a certain size. After arrival it is recommended to bring the tube directly to your trusted framer to ensure a correct and professional unrolling of the print.
For prints mounted on 3 mm Dibond panels with 2 cm aluminum spacers or on 2 CM Leger/Piuma panels contact me for a quote or practical suggestions.

RETURNS

You have a withdrawal period of 14 days starting from the day you receive the work if it does not correspond to your expectations.

PAYMENT

You can pay by credit card, bank transfer or PayPal, after receiving the advance invoice.

WARRANTY

Reliability and traceability guaranteed. I only sell works created by me, however the one you will receive will always be accompanied by a certificate of authenticity. Each photo is personally numbered and signed.

NOTES: Each work purchased is included in the Luca Zampini archive until the 5 copies provided for each format are exhausted. Once the aforementioned print run is exhausted, the photo is withdrawn from sale.

HOW COULD I HANG IT?

In fact, there are several ways to hang a fine art print, always using acid-free passe-partouts and double-sided adhesive. These are just a few tips to make the most of my trees on a wall

example of printing with matt grey wood frame with white passe-partout
example of printing glued on Leger/Foam panel 2 CM
example of printing glued on D-Bond 2 MM panel with 2 CM aluminum back spacer to detach it from the wall

simple white frame

The simplest solution, suitable for sizes 45×60 and 60×80 cm. I imagine it thin and in opaque white painted-wood to allow freedom for the tree. White because it is pure light, one of the points of my project. Opaque because it is more natural. The hanger is hidden behind the frame and therefore not visible. It stands out well on gray or colored walls. Some clients have opted for the black/grey solution to detach it from a white background. Glass, if provided, is better anti-reflective.

frame with passe-partout

An elegant solution, suitable for sizes 45×60 and 60×80 cm. I imagine it thin, in matt gray painted wood, with acid-free white passe-partout for fine art prints. The hanger is hidden behind the frame and therefore not visible. It stands out well on any type of wall. Glass, if provided, is better anti-reflective.

on Leger/Foam panel

A simple solution, suitable for all my formats, for those who do not like frames or glass. The print is first glued with acid-free double-sided adhesives onto a 2 CM Leger/Foam panel and then stretched by means of a calender. Next, the backing is edged white and trimmed for optimum appearance. A central hole is drilled behind the panel into which a small metal cylinder is inserted to support the nail. In the 100×133 CM format there are two holes on the sides. It stands out well on gray or colored walls. As the name implies it is an extremely lightweight panel.

on DBond aluminium panel

An elegant and refined solution, suitable for all my formats, for those who do not like frames or glass. The print is first glued with acid-free double-sided adhesive on a 3 mm non-deformable aluminium D-Bond support and then stretched by means of a calender. Behind the panel a 2 CM metal spacer is applied centrally, invisible from the front which creates a beautiful “floating” effect on the wall. It is fixed with one or two L-shaped anchors attached to the spacer. It is a fairly heavy panel, to be well protected when moving

simple white frame

The simplest solution, suitable for sizes 45×60 and 60×80 cm. I imagine it thin and in opaque white painted-wood to allow freedom for the tree. White because it is pure light, one of the points of my project. Opaque because it is more natural. The hanger is hidden behind the frame and therefore not visible. It stands out well on gray or colored walls. Some clients have opted for the black/grey solution to detach it from a white background. Glass, if provided, is better anti-reflective.

example of printing with matt grey wood frame with white passe-partout

frame with passe-partout

An elegant solution, suitable for sizes 45×60 and 60×80 cm. I imagine it thin, in matt dark grey painted wood, with an acid-free white passe-partout for fine art prints. The hanger is hidden behind the frame and therefore not visible. It stands out well on any type of wall. Glass, if provided, is better anti-reflective.

example of printing glued on Leger/Foam panel 2 CM

on Leger/Foam panel

A simple solution, suitable for all my formats, for those who do not like frames or glass. The print is first glued with acid-free double-sided adhesives onto a 2 CM Leger/Foam panel and then stretched by means of a calender. Next, the backing is edged white and trimmed for optimum appearance. A central hole is drilled behind the panel into which a small metal cylinder is inserted to support the nail. In the 100×133 CM format there are two holes on the sides. It stands out well on gray or colored walls. As the name implies it is an extremely lightweight panel.

example of printing glued on D-Bond 2 MM panel with 2 CM aluminum back spacer to detach it from the wall

on D-Bond panel

An elegant and refined solution, suitable for all my formats, for those who do not like frames or glass. The print is first glued with acid-free double-sided adhesive on a 3 mm non-deformable aluminium D-Bond support and then stretched by means of a calender. Behind the panel a 2 CM metal spacer is applied centrally, invisible from the front which creates a beautiful “floating” effect on the wall. It is fixed with one or two L-shaped anchors attached to the spacer. It is a fairly heavy panel, to be well protected when moving

“Luca’s trees are pure magic. They have something so familiar – it feels like walking in the countryside on a foggy day – and at the same time, something unreal, almost like a dream. Luca’s photos are so powerful and delicate, they are caressing, a hug.”

Corinna Mezzetti

archivist and historian of medieval documentation

“Luca manages to insert in his images not only aesthetic beauty, but also the sensitivity, the magic and the naturalness of telling and telling himself, emotions and memories. He knows how to look at the world with the eyes of his soul using the spontaneity of someone who grasps every aspect of life.”

Iva Pivanti

laboratory technician - Unife

“Luca is a great professional who manages to bring out the soul of the subjects he immortalizes. I was dazzled by his photographic project “Hugs” in which he manages to give soul and movement to the trees that envelop the observer softly, making him become a unicumwith them .”

Sara Pezzoni

Artist

error: Content is protected !!